How would we describe our music? Really f***ing good.” So says Vera Leppänen, bassist/vocalist and one of many frontpersons in Man/Woman/Chainsaw, who don’t just possess the best band name since The Horrors, but have also backed it up with a recent debut album, Cannonball, which has been met with foaming-at-the-mouth acclaim. It is part of an exciting rush of summer releases by new British bands including Mary in the Junkyard, Really Good Time and Westside Cowboy — all suggestive of an indie revival not seen since the early 2000s. It’s led by south London’s DIY scene, from where M/W/C emerged,…
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