Rating – four out of five stars
Death is never the beginning of the real story. So often in crime dramas, the script starts with a body — a corpse in the woods, a gangland assassination, a million variations on a murderous theme.
Neil Forsyth’s impassioned anti-drugs thriller Legends opens with a double death in 1990, as a schoolboy on a Liverpool council estate is cajoled into trying heroin at a nightclub . . . while on the opposite end of the social spectrum, a Cabinet minister’s daughter dabbles with opium in digs at Oxford University.
For both teenagers, the consequences are
To provide well-rounded coverage and a breadth of insight across various events, we rely on contributions from several staff writers, each bringing their own area of expertise to our publication.
